Chulayarnnon Siriphol was born in 1986. Both a filmmaker and an artist, he employs moving images and his body as his main medium. His works are wide and varied in genre, ranging from short film, experimental film, documentary to performance video and video installations. From adaptations of local mythology and science fiction to transformation of analog body to digital spirituality, he questions contemporary issues and political ideology through his own sense of sarcasm.
His short film Vanishing Horizon of the Sea won Special Mention from the 2014 Singapore International Film Festival. His solo exhibitions include Behind the Painting, curated by Hiroyuki Hattori, the Art Centre, Silpakorn University, Bangkok, Thailand (2015), Museum of Kirati, Bangkok CityCity Gallery, Bangkok, Thailand (2017). Give Us A Little More Time, Bangkok CityCity Gallery, Bangkok, Thailand (2020). Siriphol has taken part in group exhibitions such as The 5th Fukuoka Asian Art Triennale, Fukuoka, Japan (2014), 19th Contemporary Art Festival Sesc_Videobrasil, São Paulo, Brazil (2015), Soil and Stones, Souls and Songs, Para Site, Hongkong (2017), Ghost:2561, Bangkok, Thailand (2018), The 7th Taiwan International Video Art Exhibition, Taipei, Taiwan (2020). His short film, PLANETARIUM, premiered at 2018 Cannes Film Festival as part of 10 YEARS THAILAND, a feature film by 4 Thai directors (Apichatpong Weerasethakul, Wisit Sasanatieng, Aditya Assarat and Chulayarnnon Siriphol) in the Special Screenings section. Now, he is currently living and working in Bangkok.
AWARDS FOR SHORT FILMS
HUA-LAM-PONG
2004 / sound / color / Documentary / 12 min
The 8th Thai Short Film & Video Festival, Thailand
(SCG) Foundation, Thailand
GOLDEN SAND HOUSE
2005 / sound / color / Fiction-Documentary / 19 min
SLEEPING BEAUTY
2006 / sound / color / Experimental-Documentary / 40 min
DANGER (DIRECTOR'S CUT)
2008 / silent / color / experimental / 14 min
KARAOKE: THINK KINDLY
2009 / sound / color / Music Video / 5 min
MRS. NUAN WHO CAN RECALL HER PAST LIVES
2010 / sound / color / Experimental-Documentary / 6 min
A BRIEF HISTORY OF MEMORY
2010 / sound / black & white / experimental documentary / 14 min
Seoul, Korea
A COCK KILLS A CHILD BY PECKING ON THE MOUTH OF AN EARTHEN JAR
2013 / sound / color / fiction / 27 min
judgement) The 17th Thai Short Film & Video Festival, Thailand
MYTH OF MODERNITY
2014 / sound / color / fiction-documentary / 16 min
The 18th Thai Short Film & Video Festival, Thailand
VANISHING HORIZON OF THE SEA
2014 / sound / Black&White / experimental documentary / 24 min
25th Singapore International Film Festival, Singapore
FILM FESTIVALS, SCREENINGS and EVENTS for short films
| 2004 | The 8th Thai Short Film & Video Festival, Thailand. |
| 2005 | The 34th International Film Festival Rotterdam 2005, S.E.A. Eyes Programme, Netherlands |
| Luk-Ka-Pid-Luk-Ka-Perd: The Bangkok Invisible Landscapes (In Between Project), Thailand |
| 2006 | The 10th Thai Short Film & Video Festival, Thailand |
| The 4th World Film Festival of Bangkok, Thailand |
| 2007 | The 36th International Film Festival Rotterdam 2007, Short: As Long As It Takes, Netherlands |
| Southeast Asian Digital Cinema, Singapore |
| 2008 | The 5th Bangkok Experimental Film Festival (BEFF5), Thailand |
| Remains: Experimental films and Video works dedicated to Kanogpong Songsompan, Thailand | |
| The 12th Thai Short Film & Video Festival, Thailand |
| 2009 | International Competition, The 9th International Film Festival Hannover, Germany |
| "The Sinner's discourse" – a space for every sinner to confess, redeem their sin via video art, Thailand | |
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"Film = Social", Yellow Red and the Others, Pridi Banomyong Foundation, Thailand | |
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Experimental Film Inspired by Q Bar, 6th June 2009, Bangkok, Thailand | |
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The 7th world film festival of Bangkok, Thailand | |
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Love is Hear: Concert for deaf students, 9 July 2009, Scala Theatre, Bangkok, Thailand |
| 2010 | 26th Hamburg International Short Film Festival, Germany |
| THIRD CLASS CINEMA 020: WELL DONE, MEDIUM & RARE House RCA, Bangkok, Thailand | |
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6th Singapore Short Film Festival, S-Express: Thailand, Substation, Singapore | |
| In the Realm of Conflict 2: The 14th Thai Short Film & Video Festival, Thailand | |
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Doc-Fest, Documentary Film Festival, Faculty of Communications, Chulalongkorn University, Bangkok, Thailand |
| 2011 | POSTCARD CINEMA: Special Project for 3rd Anniversary THIRD CLASS CITIZEN |
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Political Collect, The Reading Room, Bangkok, Thailand | |
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Human Frames: Fanaticism - Ten states of the soul, KIT - Kunst im Tunnel, Dusseldorf, Germany
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The 15th Thai Short Film & Video Festival, Thailand | |
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The 11th International Film Festival Hannover, Germany | |
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New Asian Currents, Yamagata International Documentary Film Festival 2011, Japan | |
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Festival Film Dokumenter 2011, SEA doc, Taman Budaya Yogyakarta, Indonesia |
| 2012 | Bangkok Experimental Film Festival 6 (BEFF6), Bangkok, Thailand |
| The 12th Seoul International NewMedia Festival (NeMaf 2012), Seoul, Korea | |
| Screen Below The Wind Festival, Ubud, Bali, Indonesia | |
| THIRD CLASS CINEMA 033 : between sight and sound in afternoon, Eat@Double U, SF world cinema, Centralworld, Bangkok, Thailand | |
| 6 Tula Party: newtheatresociety, Bangkok, Thailand | |
| Sunday Buddhist School, Klangmuang (documentary program), ThaiPBS, Thailand |
| 2013 | 8th International Digital Moving Image Festival, Orality: Films from South East Asia, Cuchifritos gallery, New York |
| SEA ArtsFest 2013, 47/49 Tanner Street, London, UK | |
| Aperture Festival 2013, Experiential Ethnographic Films Program, The University of Melbourne, Australia | |
| The 17th Thai Short Film & Video Festival, Thailand |
| 2014 | MEDIA/ART KITCHEN (=M/AK): Reality Distortion Field, SINGLE-CHANNEL SCREENING, Program B: Media at Hand, Jakarta, Kuala Lumpur, Manila and Bangkok |
| Yebisu International Festival for Art & Alternative Visions, Tokyo, Japan | |
| Catch & Throw Vol.1, Tasu café, Tokyo, Japan | |
| Chapter 3, State of Being, curated by Korakrit Arunanondchai, XXX Gallery, Hong Kong | |
| Thai Aurora at the Horizon, Thailand | |
| 1st Libertine Film Festival, Tokyo, Japan | |
| The 18th Thai Short Film & Video Festival, Thailand | |
| UNDER THE DIFFERENT SKY: THAI SHORT FILM & ARTIST VIDEO SHOWCASE 2014, Curated by Graiwoot Chulphongsathorn, SEA ArtsFest 2014, London | |
| WILDTYPE MASTERCLASS 001 : FUCK ALLIGATOR A retrospective screening and talk with Chulayarnnon Siriphol, 27 September 2014, The Reading Room, Bangkok, Thailand | |
| 5th Kuala Lumpur Experimental Film and Video Festival (KLEX), Malaysia | |
| Southeast Asian Short Film Competition, 25th Singapore International Film Festival, Singapore | |
| Nang-Khang-Wat festival, Short Film Showcase 2014, Chiangmai, Thailand |
| 2015 | Song from Yesterday, PAH Creative Space, Bangkok, Thailand |
| Thai Film Night!, 14 March 2015, Eikyu Beppu Theater, Beppu, Japan | |
| Monitor 11: South Asian Experimental Film + Video, These Monsters are Real, 31 March 2015, SAVAC (South Asian Visual Arts Centre), Toronto, Canada / 28 November 2015, The Other Film Festival (OFF), articule, Montreal, Canada | |
| Movie & History Lecture 001 : ANNA & Myth of Modernity, 10 April 2015, Thammasart university, Bangkok, Thailand | |
| Reuse, Retell, 29 May 2015, curated and presented by Dr. May Adadol Ingawanij, University of Westminster, London | |
| 2nd Cinemalibre film club screening, 30 May 2015, UP Cine Adarna - Videotheque, UP DILIMAN, QUEZON CITY, Philippines | |
| AKA-WTF 5th Anniversary Festival, Short Films Screening, curated by Top Changtrakul and Chulayarnnon Siriphol, 30 May 15, Studio Lam, Bangkok, Thailand | |
| Watch Movie and Let’s Talk!: แรงงาน แรงใจ, curated by Kahat Sujipisut, 28 June 2015, old city hall, Ratchaburi, Thailand | |
| Arkipel: Jakarta International Documentary & Experimental Film Festival, 19-29 August 2015, Jakarta, Indonesia | |
| 10th Experimental Film And Video Festival in Seoul (EXiS) 2015, 20-27 August 2015, Seoul, Korea | |
| Wathann Film Festival #5, 9-13 September 2015, Waziyar cinema, Yangon, Myanmar | |
| ASIAN FILM SYMPOSIUM 2015, curated by Sanchai Chotirosseranee, 10-13 September 2015, The Substation, Singapore | |
| Minikino Filmweek 2015, S-EXPRESS 2015: THAILAND, curated by Sanchai Chotirosseranee, 12-17 October 2015, Bali, Indonesia | |
| Next New Wave S-Express, curated by Tan Chui Mui, presented by Kelab Seni Filem Malaysia, 4 December 2015, Kuala Lumpur, Malaysia | |
| Behind the Painting, 20 December 2015, Rancha (Tea room), Bangkok, Thailand |
| 2016 | Documentary Night, 30 January 2016, Media Arts and Design, Chiang Mai University, Chiang Mai, Thailand |
| S-Express Thailand 2015, Programmer: Sanchai Chotirosseranee, 26 January 2016, Institut Français Indonesia (IFI) Surabaya, Indonesia | |
| อ่านข้างหลังภาพ, 10 March 2016, Faculty of Political Science and Public Administration, Chiang Mai University, Chiang Mai, Thailand | |
| The 16th Seoul International NewMedia Festival (NeMaf 2016), Seoul, Korea | |
| Videobrasil Collection at Cambridge selected by the residents Jaime Lauriano and Raphael Escobar, 23 September 2016, the Cambridge Artist Residency, São Paulo, Brazil | |
| You Are Not Alone, curated by Enoch Cheng, 15 November - 4 December 2016, Oi!, Hongkong | |
| Hanoi DocFest 2016, 17 – 23 November 2016, Hanoi and Ho Chi Minh city, Vietnam | |
| Sound & Image Challenge International Festival 2016, 6-11 December 2016, Macau |
| 2017 | Hanoi DocFest, 6 January 2017, Hongkong |
| Filmvirus Wildtype: Experiment Experimental Cinema, 21 March 2017, Chiangmai University, Chiangmai, Thailand | |
| Until Dawn Short Film Festival 2017, 26 April 2017, Faculty of Information & Communication, Maejo University, Chiangmai, Thailand | |
| Filmvirus Wildtype 2017, 1-2 July 2017, The Reading Room, Bangkok | |
| 13th International Conference on Thai Studies, A Thai Society through a Cinematic Perspective, A short film program curated by Apichatpong Weerasethakul, 15-18 July 2017, Chiang Mai | |
| Aesthetics of Error Reading Group + Screening, 20 August 2017, Tentacles, Bangkok, Thailand | |
| Tentacles TV's Screening+Talk #1 : Under Pressure, 3 November 2017, Tentacles, Bangkok, Thailand | |
| Bangkok Underground Film Festival, 18-19 November 2017, Noise Market 7, Museum Siam, Bangkok, Thailand | |
| Unruly Shadows: Artist Films and Videos on Challenging Spheres, Histories Turning Ghosts, 19 November 2017, NTU Centre for Contemporary Art Singapore (NTU CCA), Gillman Barracks, Singapore |
| 2018 | Films in the Forest – a PostScripts film screening, 29 July 2018, curated by the Forest Curriculum, Bangkok, Thailand |
| Historie(s) du Thai Cinema, 18-19 August 2018, DAM'N CINECLUB, Bangkok, Thailand | |
| Screening event - House of Flowing Reflections, 16 September 2018, Moom Mong Collective, Eah Seng, Bangkok, Thailand | |
| Seoul International NewMedia Festival 2018 (NeMaf 2018), 15-24 August 2018, Seoul, Korea | |
| M+ Screenings: Southeast Asia Moving Image Mixtape, 21 September 2018, Hongkong | |
| DIY Cinema:Thai History?, 1 December 2018, Cinema Oasis, Bangkok, Thailand | |
| Ploymook Short Film Fest 61, 8-9 December 2018, GAF :Grandmama And Friends Grocery, Mukdahan, Thailand | |
| Wildtype Pandemic: The Sound of Silence, 21 December 2018, HUAK Society, Khon Kaen, Thailand | |
| DAM’N 006: GOLDEN BOY WITH HIS TRIANGLE, 22 December 2018, DAM'N CINECLUB, Bangkok, Thailand | |
| Here and nowadays, we are at the moment right now, 23 December 2018, Sangnual (2551) Ltd.,part Looftop, Bangkok, Thailand |
| 2019 | Unspeakable Thai taboos: political film screening, 3 March 2019, Bopiliao Historic Block, Taipei, Taiwan |
| Portraits of Asia: A Night with Chulayarnnon Siriphol, 20 March 2019, Société, Berlin, Germany | |
| New Currents: by Thai Filmmakers presented by Anocha Suwichakornpong, 16 April 2019, Design and Media Center, Massachusetts College of Art and Design, Boston | |
| Apichatpong Weerasethakul Selects, a part of Rirkrit Tiravanija: (who’s afraid of red, yellow, and green), 22 June-24 July 2019, Hirshhorn Museum, Washington, D.C. | |
| MCAD Film Screenings, 27 July 2019, Museum of Contemporary Art and Design, Manila, The Philippines | |
| Society of Cinema: 'Myth of Modernity' and 'Yeh Freedom Life' curated by Kush Badhwar, 21 September 2019, Museum of Impossible Forms, Helsinki, Finland | |
| 30th Singapore International Film Festival, 21 November - 1 December 2019, Singapore | |
| The Beijing International Short Film Festival, Mirage Competition, 29 November - 9 December 2019, Beijing, China | |
| The 23rd Thai Short Film & Video Festival, with live music by Taratawan Krue-on, 14 December 2019, Thailand |
| 2020 | Bangkok Critics Assembly award 2019, screening for nominated short films, online screening, 27 June 2020, Thailand |
| The 37th Busan International Short Film Festival, Occupy Asia, 27-31 August 2020, Busan, Korea | |
| The 24th Thai Short Film & Video Festival, เด็กรุ่นใหม่ไม่รู้ประวัติศาสตร์ THESE KIDS DON’T KNOW THAI HISTORY, Thai Film Archive, Thailand |
| 2021 | The 25th Thai Short Film & Video Festival, 25-A Long and Winding Road (online programme) 20 December 2021 |
| 2022 | Ghost:2565 Intermission, 5 July 2022, HOUSE Cinema, Bangkok, Thailand |
| Hamburg International Short Film Festival, Laboratory of the present 1: Asia - Poetics & Politics, Program (4) Anger Through South East Asia, Hamburg, Germany | |
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Alternative Voices, 14-27 July 2022, Objectifs, Singapore | |
| Gender, Humor, Solidarity!, Practice Institute at Asian Art Museum and Chinese Culture Center of San Francisco, 1 September 2022, ruruHaus, Documenta15, Kassel, Germany | |
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ความฝันที่พร่าเลือนในแผลเก่า Old Wound, short film and moving images screening, 12 November 2022, SAC gallery, Bangkok, Thailand |
| 2023 | Like Any Other Day, 11- 18 January 2023, Galerie Quynh, Ho Chi Minh City, Vietnam |
| WAREHOUSE screening program, 25 February 2023, Bangkok CityCity Gallery, Bangkok, Thailand | |
| Ghost 2565 - Time and its discontents curated by Christina Li, 25 March 2023, Art Basel HongKong, Louis Koo Cinema, Hong Kong Arts Centre, Wan Chai, Hong Kong | |
| Exterior: The Science of Collective Consciousness, 5 April 2023, Tate Modern, London |
AWARDS FOR FEATURE FILMS
Insurgency by a Tapir
2016 / sound / color / experimental fiction / 105 min
co-directed by Wachara Kanha, Ratchapoom Boonbunchachoke, Chaloemkiat Saeyong and Chulayarnnon Siriphol
Ten Years Thailand
2018 / sound / color / omnibus film / 95 min
co-directed by Wisit Sasanatieng, Apichatpong Weerasethakul, Aditya Assarat, Chookiat Sakveerakul and Chulayarnnon Siriphol
FILM FESTIVALS, SCREENINGS and EVENTS for feature films
Insurgency by a Tapir
2016 / sound / color / experimental fiction / 105 min
co-directed by Wachara Kanha, Ratchapoom Boonbunchachoke, Chaloemkiat Saeyong and Chulayarnnon Siriphol
| 2016 | The 20th Thai Short Film & Video Festival, 21 August 2016, Bangkok, Thailand |
| Screen Server No.1, 10 September 2016, Democrazy Theatre Studio, Bangkok, Thailand | |
| Indies in Salaya, 2 October 2016, Srisalaya Community Theater, Nakhonpathom, Thailand | |
| Filmvirus Wildtype: Middleclass, 26 November 2016, The Reading Room, Bangkok, Thailand | |
| 2017 | Bangkok Underground Film Festival, 5 March 2017, Gallery VER, Bangkok, Thailand |
| BIOSCOPE AWARDS 2016, 11 March 2017, Bangkok Screening Room, Bangkok, Thailand |
Forget Me Not
2018 / sound / color / Romantic Drama / 90 min
| 2018 | Outdoor screening for closing event of Museum of Kirati exhibition, 21 January 2018, Bangkok CityCity Gallery, Bangkok, Thailand |
| Seoul International NewMedia Festival 2018 (NeMaf 2018), 15-24 August 2018, Seoul, Korea | |
| 2019 | The Screening Room on Thursdays, 8 February 2019, Faculty of Communication Arts, Chulalongkorn university, Bangkok, Thailand |
| FILMVIRUS WILDTYPE MIDDLE CLASS 04, 17 March 2019, The Reading Room, Bangkok, Thailand | |
| The opening of The MANIFESTO by MAIELIE, 24 June 2019, Khon Kaen, Thailand | |
| Forget Me Not ข้างหลังภาพในมิติของภาพยนตร์, 27 July 2019, Candide Books, The Jam Factory, Bangkok, Thailand | |
| 2020 | Chulayarnnon Siriphol Double Bill, Bangkok Screening Room, Bangkok, Thailand |
Ten Years Thailand
2018 / sound / color / omnibus film / 95 min
co-directed by Wisit Sasanatieng, Apichatpong Weerasethakul, Aditya Assarat, Chookiat Sakveerakul and Chulayarnnon Siriphol
| 2018 | The 71st Cannes Film Festival, Special Screenings, 8-19 May 2018, Cannes, France |
| 23rd Busan International Film Festival, 4-13 October 2018, Busan, Korea | |
| Tokyo International Film Festival 2018, 25 October – 3 November 2018, Tokyo, Japan | |
| London East Asia Film Festival 2018, 25 October – 4 November 2018, London | |
| Samples from the Cannes Film Festival, the French Institute of Cambodia, 26 October – 3 November 2018, Phnom Penh, Cambodia | |
| Rio de Janeiro Int'l Film Festival, 1-11 November 2018, Rio de Janeiro, Brazil | |
| Hongkong Asian Film Festival 2018, 6-25 November 2018, Hongkong | |
| Taipei Golden Horse Film Festival, 8-25 November 2018, Taipei | |
| Five Flavours Asian Film Festival, Special Screenings, 15-22 November 2018, Warsaw, Poland | |
| 29th Singapore International Film Festival, 28 November – 9 December 2018, Singapore | |
| 2019 | Taiwan & Thailand Film and Civil Society Exchanges: Politics, Gender, Democracy, 10 March 2019, Fuzhong 15, Taipei, Taiwan |
| Far East Film Festival, 26 April - 4 May 2019, Udine, Italy | |
| COMCAST Narratives, 9-19 May 2019, CAAMFest37(The Center for Asian American Media), San Francisco/Oakland | |
| Locarno Film Festival, 7-17 August 2019, Locarno, Switzerland | |
| Wathann Film Festival#9, 4-9 September 2019, Yangon, Myanmar | |
| SeaShorts Film Festival 2019, 25-29 September 2019, Malacca, Malaysia | |
| Philadelphia Asian American Film Festival, 7-17 November 2019, Philadelphia |
100 Times Reproduction of Democracy
2019 / sound / color / Docufiction / 115 min
| 2020 | 31st Singapore International Film Festival, 26 November – 6 December 2020, Singapore |
| Chulayarnnon Siriphol Double Bill, Bangkok Screening Room, Bangkok, Thailand | |
| Outdoor Screening – The closing ceremony of Give Us A Little More Time, a solo exhibition by Chulayarnnon Siriphol, Bangkok CityCity Gallery, 9 August 2020, Bangkok, Thailand | |
| 2021 | 12th Taiwan International Documentary Festival (TIDF) for Asian Vision Competition, 30 April - 9 May 2021, Taipei, Taiwan |
SOLO EXHIBITION
| 2011 | Ghost Orb, 8 video works by Chulayarnnon Siriphol, 29 November - 25 December 2011, Eat Me Restaurant, Bangkok, Thailand |
| 2015 | Behind the Painting, curated by Hiroyuki Hattori, supported by The Japan Foundation, Bangkok, 11 September - 13 October 2015, the Art Centre, Silpakorn University, Bangkok, Thailand |
| 2017 | Museum of Kirati, 19 November 2017 - 21 January 2018, Bangkok CityCity Gallery, Bangkok, Thailand |
| 2018 | From Earth to Heaven, 5 July – 2 August 2018, Organhaus Art Space, Chongqing, China |
| 2020 | Give Us A Little More Time, 21 June – 9 August 2020, Bangkok CityCity Gallery, Bangkok, Thailand |
GROUP EXHIBITION
| 2007 | Head Or Tail? : Contemporary Media and Video works from Thailand, Pallas Studio, Dublin, Republic of Ireland, United Kingdom |
| 2011 | Chiang Mai Now!: You Say You Want A Revolution Retrospective of Thai Independent Filmmakers - Chulayarnnon Siriphol's short films, 13th May 2011, Bangkok Art and Cultural Center (BACC), Bangkok, Thailand |
| 2012 | CUT THRU: A View on 21st Century Thai Art An exhibition of nine Thai contemporary artists, curated by Loredana Pazzini-Paracciani, 11 January - 7 February 2012, ICA Gallery 1, The Institute of Contemporary Arts Singapore, Singapore |
| Politics of ME: An art exhibition for micro-perspectives, Curated by Pichaya Suphavanij, 29 June - 29 July 2012, Bangkok Art and Cultural Centre (BACC), Thailand | |
| FAAM Art Talk 2012 -Media Art in Southeast Asia, Fukuoka Asian Art Museum, Japan | |
| Can You Hear Me?: Video works by six artists from Thailand Curated by Loredana Pazzini-Paracciani, 22 November - 21 December 2012, Objectifs Centre for Photography and Film, Singapore |
| 2013 | Sharjah Biennial 11 Film Programme curated by Apichatpong Weerasethakul, Sharjah, United Arab Emirates / Instituto Inhotim, Belo Horizonte, Brazil |
| Can You Hear Me?: Video works by six artists from Thailand Curated by Loredana Pazzini-Paracciani, 9 February - 9 March 2013, Numthong Gallery, Thailand | |
| CROSS_STITCH : A trans-conceptual exhibition to present the works of young artists Exhibition by BACC Exhibition Department, 2 August – 1 September 2013, Bangkok Art and Cultural Centre (BACC), Thailand | |
| #Check Status: An art exhibition by master's degree student Department of Mixed Media art, Silpakorn University, 3-12 October 2013, Tadu Contemporary Art @ Sukhumvit 87, Thailand |
| 2014 | 4th Art Factory Project, Alternative Space Loop, Seoul, Korea |
| Spectral Reverberations Jakrawal Nilthamrong, Tulapop Saenjaroen, Taiki Sakpisit, and Chulayarnnon Siripol, Curated by Lauren Reid at Light+Wire gallery, 20 February - 20 March 2014 (online exhibition) | |
| 6 Thoughts 6 Hours, Yet Space, Bangkok, Thailand | |
| FAITH and FAIRY TALES: New Media Art for Thailand Curated by Loredana Pazzini- Paracciani, 14 March – 17 April 2014, ADM Gallery, School of Art Design and Media, Nanyang Technological University, Singapore | |
| The Other Room : exploring the other's life
The Art party in abandoned guest house, 2-3 May 2014, Thong Lor Art Space, Bangkok , Thailand |
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| EWHA MEDIA ART PRESENTATION (EMAP 2014), Ewha Womans University, Seoul, Korea |
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| A BRIEF HISTORY OF MEMORY,
Curated by Lauren Reid, 26 June - 10 August 2014, the 4th Moscow International Biennale for Young Art, Moscow, Russia |
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| MEDIA/ART KITCHEN (=M/AK) - AOMORI
Politics of Humor and Play 26 July - 15 September 2014, Aomori Contemporary Art Center (ACAC), Aomori, Japan |
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| The Mirror and Monitor of Democracy in Asia
Asian Arts Space Network 22 August - 28 September 2014, Gwangju Museum of Art, Korea |
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| The 5th Fukuoka Asian Art Triennale
Fukuoka Asian Art Museum 6 September - 30 November 2014, Fukuoka, Japan |
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| KRA-TOOK 26 September – 17 October 2014, Yet-Space, Bangkok, Thailand | |
| SIGHTS AND SOUND: Singapore
selected by Patrick D. Flores 29 September - 30 October, 2014, Jewish Museum, New York |
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| SCINTILLATION OR DISAPPEARANCE 29 October 2014 - 31 January 2015, MMCA Seoul Theater, National Museum of Modern and Contemporary Art, Seoul, Korea |
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| HAUNTED THRESHOLDS: Spirituality in Contemporary Southeast Asia curated by Lauren Reid, 9 November - 21 December 2014, Kunstverein Göttingen, Germany |
| 2015 | A Part of You, A Part of Me 2, curated by Tokin Teekanun and Chol Janepraphaphan, 16 - 31 January 2015, The Jam Factory, Bangkok, Thailand |
| Space Oh these [cra]ZY 0.1: The site-specific installations and performing arts 20 February – 8 March 2015, Thong Lor Art Space, Bangkok , Thailand |
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| Concrete Photo Festival 1 : Myth of the Bullshit Mosquito in the Building 20 – 21 March 2015, Faculty of Architecture, King Mongkut's Institute of Technology Ladkrabang (KMITL), Bangkok, Thailand |
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| LUCIDA, curated by Chol Janepraphaphan, 3-20 April 2015, Speedy Grandma, Bangkok, Thailand | |
| REAL ESTATE / LANDSCAPE, a touring exhibition project in GALLERY SOAP, Kitakyushu, Japan / Bangkok University Gallery, Bangkok, Thailand / Organhaus, Chongqing, China | |
| Through the Place and Image, curated by Suebsang Sangwachirapiban, 17 August – 10 October 2015, The Art Center, Office of Academic Resources, Chulalongkorn University, Bangkok, Thailand | |
| Asian Film & Video Art Forum, Place, Sentiment and Memory, 9 September – 31 October 2015, MMCA Seoul Theater, National Museum of Modern and Contemporary Art, Seoul, Korea | |
| inToAsia: Time-based Art Festival 2015-Architectural Landscapes: SEA in the Forefront, curated by Loredana Pazzini-Paracciani, 3-31 October 2015, Queens museum, New York | |
| 19th Contemporary Art Festival Sesc_Videobrasil, São Paulo, Brazil | |
| The Wrong (again) New Digital Art Biennale, Dystrophies, Arebyte Gallery, United Kingdom |
| 2016 | Madeleine, curated by Lauren Reid, 23 January - 5 March 2016, Insitu, Berlin, Germany |
| Stars and Monsters, curated by Inti Guerrero, 14 May - 26 June 2016, Neptune, Hong Kong | |
| Soil and Stones, Souls and Songs, curated by Cosmin Costinas and Inti Guerrero, co-produced by Kadist (Paris/SF) and Para Site (HK), 6 September - 4 December 2016, MCAD-Museum of Contemporary Art and Design, Manila, The Philippines | |
| Aún (Still/Yet) - 44 Salón Nacional de Artistas, curated by Inti Guerrero, 16 September - 14 November 2016, Pereira, Colombia | |
| Embedded South(s), an online moving-image exhibition, 3–6 November 2016, co-curated by Zoe Butt (Executive Director and Curator, San Art, Ho Chi Minh City), Gabriela Salgado (Independent curator, London), and Lê Thuận Uyên (Independent researcher, Hanoi) | |
| This Moment: Thailand, 23 November 2016 - 26 February 2017, Asia Culture Center, Gwangju, Korea | |
| Farewell: The Art Center’s Acknowledgments 2016, 26 December 2016 – 18 February 2017, The Art Center, Chulalongkorn University, Bangkok, Thailand |
| 2017 | The Genius of the Crowd, 13 January - 17 March 2017, Jendela (Visual Arts Space), Esplanade, Singapore |
| Landscape, 27 - 29 January 2017, Tokyo University of the Arts, Tokyo, Japan | |
| Transit Republic: Parallel Narratives From The Other Side, curated by Hiroyuki Hattori, 1-4 February 2017, Arena1 Gallery, California | |
| Soil and Stones, Souls and Songs, 18 March – 11 June 2017, Para Site, Hongkong | |
| Enigmatic Majorities, 4 April-13 July 2017, The Academy of the Arts of the World, Cologne, Germany | |
| The Concept of Self on Power, Identity and Labels, a group exhibition featuring Indonesian and Thai artists, curated by Linjie Zhou, Jeong-ok Jeon, Jongsuwat Angsuvarnsiri, 13 May – 17 June 2017, Subhashok The Arts Centre, Bangkok, Thailand | |
| IM_MOBILITIES, curated by Juana Awad, Julia Eckert and Nada Schroer, 10-30 June 2017, Galerie KUB, Leipzig, Germany | |
| Soil and Stones, Souls and Songs, 15 July – 31 October 2017, The Jim Thompson Art Center, Bangkok, Thailand | |
| TO WHOM IT MAY CONCERN, 9 August - 3 September 2017, Bangkok CityCity Gallery, Bangkok, Thailand | |
| WE DON'T KNOW WHAT ART IS. BUT, WE MAKE IT, 4-23 December 2017, Her Royal Highness Princess Maha Chakri Sirindhorn Gallery, Silpakorn university, Nakornpathom, Thailand |
| 2018 | Urban Media Art Kitchen-Emotional Transitions, 30 January 2018, Berlin, Germany |
| Leaden Circles Dissolved in the Air, curated by Ferhat Özgür, 1 March - 28 April 2018, Elgiz Museum, Turkey | |
| Seeking Permission, 21 April – 21 May 2018, Cartel Artspace, Bangkok, Thailand | |
| Geopolitical Grounds, 9 June – 28 July 2018, Ota Fine Arts, Singapore | |
| Here We Meet – Münchhausen Trilema and Rest, 8 September - 4 November 2018, The Galaxy Museum of Contemporary Art (GCA), Chongqing, China | |
| Geopolitical Grounds, 11 September – 6 October 2018, Ota Fine Arts, Tokyo, Japan | |
| Ghost:2561, 10-28 October 2018, Bangkok, Thailand | |
| Unidentified Landscape - HOTEL ASIA PROJECT 2018, 14-21 October 2018, Organhaus Art Space, Chongqing, China | |
| Unidentified Landscape - HOTEL ASIA PROJECT 2018, 10-25 November 2018, Medo Space, Vienna, Austria | |
| Video Lounge Series 3: Eyes, Bugs, Fishes, Birds, 16-25 November 2018, Taipei Contemporary Art Center, Taiwan |
| 2019 | Unidentified Landscape - HOTEL ASIA PROJECT 2018, 18-20 January 2019, BARRAK, Naha, Japan |
| Beyond the Final Frontier, 19 January - 20 February 2019, Subhashok The Arts Centre, Bangkok, Thailand | |
| The Concept of Self: individuality and integrity, 19 January - 3 February 2019, Komunitas Salihara, Jakarta, Indonesia | |
| Unidentified Landscape - HOTEL ASIA PROJECT 2018, 27 January – 2 February 2019, SOAP, Kitakyushu, Japan | |
| Temporal Topography:MAIIAM’s New Acquisitions; from 2010 to Present, curated by Kittima Chareeprasit, 30 March 2019 – 30 March 2020, MAIIAM Contemporary Art Museum, Chiang Mai, Thailand | |
| Field Trip Project Asia – Thailand, co-curated by Tentacles and Daisuke Takeya, 9 April – 5 May 2019, Bangkok Art and Culture Centre, Bangkok, Thailand | |
| Field Trip Project – Myanmar, co-curated by Daisuke Takeya and Aung Myat Htay (SOCA), 18 July – 10 August 2019, The Japan Foundation Yangon, Myanmar | |
| "KHU-KHU-SAU” How To Do?, 2019 TAIWAN ANNUAL Video Arts Curation Area Program, Curated by Nien-Ting Chen, 31 August-8 September 2019, Taipei Flora Expo Park EXPO Dome, Taipei, Taiwan | |
| Cicada Channel Issue2 (online exhibition), 1-11 November 2019 | |
| Cicada Channel Issue3 (online exhibition), 12-21 November 2019 | |
| In search of other times: reminiscence of things collected, curated by Kittima Jareeprasith, 26 November 2019 - 29 February 2020, JWD Art Space, Bangkok, Thailand | |
| 2020 | How shall we dress for the occasion? curated by Ulya Soley, mentored by Mari Spirito as part of the Protocinema Emerging Curator Series, 11 January - 22 March 2020, 601Artspace, New York |
| The Supreme Great Leader, curated by Wood Lin and Huang Hsiang-Ning, 18 January – 7 April 2020, Chiang Kai-Shek Memorial Hall, Taipei, Taiwan | |
| Art Is Still Here: A Hypothetical Show for a Closed Museum, 13 February 2020– ONGOING, M WOODS, Beijing, China | |
| Collector Series Episode 1, Utopic Landscapes, curated by Marie Maertens, 15 June-15 September 2020 (online exhibition) | |
| Down the Melting Pot, curated by Jaxton Su and Nien-Ting Chen, 26 June – 26 July 2020, Alternative Space LOOP, Seoul. Korea | |
| The 7th Taiwan International Video Art Exhibition – ANIMA at Hong-gah Museum and Taiwan Contemporary Culture Lab (C-LAB), 16 October 2020 – 17 January 2021, Taipei, Taiwan | |
| Infinities, curated by Lauren Reid, 27 November 2020 — 23 January 2021, Goulburn Regional Art Gallery, New South Wales, Australia | |
| A House in Many Parts, 1-16 December 2020, Bangkok, Thailand |
| 2021 | The Happiest Place on Earth - HOTEL ASIA PROJECT, 7 February – 21 February 2021, Ruang Mes 56 in Yogyakarta, U trativodu 184 in Prague and GALLERY SOAP in Kitakyushu |
| Unfamiliar Image Vol.3, Imagining Artificial Heaven from Social Spectacles, 1-31 March 2021 (online exhibition) | |
| The Happiest Place on Earth - HOTEL ASIA PROJECT is in a group exhibition “In Search of Origins”, 27 March - 13 June 2021, Contemporary Art Museum Kumamoto, Japan | |
| After Hope: Videos of Resistance, Asian Art Museum, San Francisco | |
| Tai Thai Boba Milktea Wave Wave, 15 May - 13 June 2021, Digital Art Center, Taipei, Taiwan | |
| Phantasmapolis, The 8 edition of Asian Art Biennial, 30 October 2021 - 6 March 2022, National Taiwan Museum of Fine Arts, Taipei, Taiwan | |
| Nation, Narration, Narcosis Collecting Entanglements and Embodied Histories, 28 November 2021 - 3 July 2022, Hamburger Bahnhof, Berlin, Germany |
| 2022 | Shadow Dancing: Where Can We Find a Silver Lining in Challenging Times? 17 March - 12 June 2022, Jim Thompson Art Center, Bangkok, Thailand |
| Shadow Dancing: Where Can We Find a Silver Lining in Challenging Times? 2 April - 15 May 2022, Hong-Gah museum, Taipei, Taiwan | |
|
Taipei Dangdai, Edge sector, 20-22 May 2022, Taipei, Taiwan | |
| Play and Loop IV, 16 July -27 August 2022, curated by Nick Yu, Hong Kong | |
|
Scoring the Words, 1 September - 20 November 2022, Seoul, Korea |
| 2023 | Autophagy: Eating in Its Destructive and Creative Nature curated by Eunha Chang, 1 February – 31 March 2023 (online exhibition) |
| Beautiful Soup – Five Inclusion Tactics for Seven Curators, 3–25 March 2023, de Appel, Amsterdam, The Netherlands |
LIFETIME ACHIEVEMENT AWARD
| 2018 | BIOSCOPE Awards 2018 (for upcoming filmmaker), Bioscope magazine, Thailand |
ARTIST IN RESIDENCE
| 2014 | Aomori Contemporary Art Center (ACAC), Aomori, Japan |
| 2018 | Organhaus Art Space, Chongqing, China |
| 2020 | Challenging Time: Online Artists and Curatorial Research and Residency Program Between Thailand and Taiwan, Jim Thompson Art Center, Bangkok, Thailand and Hong Gah Museum, Taipei, Taiwan |
COLLABORATION
| 2015 | The 5×5 Legged Stool, Direction and Re-Compose by Shinoda Chiharu, Performing Arts Meeting in Yokohama 2015 (TPAM in Yokohama 2015), 13 – 15 February 2015, Koukashita Studio Site D, Koganecho, Yokohama, Japan |
| Dysmorphilia by Daloy Dance Company (Philippines) collaborate with Thai Artist, Chulayarnnon Siriphol, 27-29 November 2015, Thonglor Art Space, Bangkok, Thailand | |
| 2016 | Dans le Noir, A detective story by Damkerng Thitapiyasak, 9 September – 9 October 2016, Thonglor Art Space, Bangkok, Thailand |
| 2020 | "Lindbergh's Flight" by Gecko Parade and Co. [work in progress]- A trans-architectural journey, 12- 14 March 2020, Slure, Bangkok, Thailand |
| METHYLENE BLUE, collaboration with Liew Niyomkarn, commissioned by Sofia Lemos, for the multi-platform research programme SONIC CONTINUUM, a part of the festival A House in Many Parts, JAM café, 13 December 2020, Bangkok, Thailand |
TALK and SYMPOSIUM
| 2012 | Artists Cinema: In Between Narrative and Experimental / 6th Bangkok Experimental Film Festival, Thai Film Archive, Bangkok, Thailand |
| Creating Conceptual Video Objectifs: Centre for photography and film, Singapore |
| 2014 | Cul-de-sac of Image_ Between Exhibition and Screening MMCA Seoul Theater, 22 November 2014, National Museum of Modern and Contemporary Art, Seoul, Korea |
| 2015 | Mash-Up Talk: Art Production, The Great Artist of Tomorrow Will Go Underground, 21 January 2015, Bangkok Art and Cultural Centre (BACC), Thailand |
| 2016 | ทดลองหนัง หนังทดลอง ทดลองไปไหน?, 9 March 2016, Photo Art Division, Faculty of Fine Arts, Chiang Mai University, Chiang Mai, Thailand |
| NEW WAVES: EMERGING VOICES OF SOUTHEAST ASIAN CINEMA, Vanishing Memories – Between Video Art and Cinema (In dialogue with Chun Kai Qun), 27 Jul 2016, *SCAPE Gallery, Singapore (organized by Singapore International Film Festival ) | |
| Modern Society Reflected in Southeast Asian Films: the World of Thai Indie Films, Power of Nationalism in Thailand: Chulayarnnon Siriphol’s video works, 19 November 2016, Asia Culture Institute(ACC), Gwangju, Korea | |
| 2017 | “ศิลป์อยู่เป็น - The Art of Surviving in the Arts”, Differing Experiences – เรื่องเล่าของศิลปิน, 1 February 2017, Bangkok Art and Cultural Center (BACC), Bangkok, Thailand |
| 2018 | Master Class: Counter-Memory and Cinema, Body Under Control, The 18th Seoul International NewMedia Festival (NeMaf2018), Seoul, Korea |
| 2019 | Thai Film and Political Review, Brilliant Time bookstore, Taipei, Taiwan |
| Forget Me Not ข้างหลังภาพในมิติของภาพยนตร์, 27 July 2019, Candide Books, The Jam Factory, Bangkok, Thailand | |
| 2020 | Conversation at 601 Artspace – Protocinema |
| WanwaN Film Talk EP.7 วันวันฟิล์มทอล์ก EP.7 ตอน 'คนทำหนังอาร์ตที่แท้ทรู..กินอยู่กันยังไง? | |
| Q&A : Doc Club Online Theater #6 | |
| Another TRIP TO THE MOON : สำรวจอนาคตหนังไทยในระยะศูนย์สูตร | |
| 2022 | NOT A READY-MADE HISTORY, a four-episode talk radio series curated and hosted by Hera Chan and Edwin Nasr, commissioned for SAVVYZΛΛR |
| Re/enacting History & Decolonizing Genteel Romance in Thailand & Asia: A Livestream Conversation with Chulayarnnon Siriphol, 7 May 2022 | |
| Traibhumi Revisited: สำรวจจักรวาลไตรภูมิ ด้วยสายตาของโลกร่วมสมัย, 9 October 2022, Jim Thompson Art Center, Bangkok, Thailand | |
| Artist Talk with Tiffany Sia and Chulayarnnon Siriphol, 5 November 2022, a part of Scoring the Words, Seoul Museum of Art, Seoul, Korea |
INTERVIEWS, PRESS, REVIEWS, DVDs, RELATED ARTICLES
| 2004 | Interview, "Bioscope" Magazine, Issue no. 34, Thailand |
| 2007 | Interview, "Short Film", Open Books, Thailand |
| DVD: Trough the Eyes of a Wonder Boy, Thaiindie | |
| 2008 | Thai Short Films Showcase 2008, Danger(Director's Cut) included in DVD Compilation by Thai Film Foundation |
| By Phillina Sun, "Head or Tail", Experimental Conversations (Cork Film Centre's Online Journal), Issue 2: Autumn 2008 | |
| Interview, "Fuse" Magazine, Issue no. 18, July, 2008, Thailand | |
| 2009 | Interview, "Art scene TV", Thailand |
| 2010 | By Jit Phokaew, "20 Young Independent Thai Directors", Indian Auteur, Issue no.8 |
| 2011 | "Human Frames", Exhibition Catalogue, Kunst im Tunnel, Düsseldorf, Germany |
| DVD: Chulayarnnon Siriphol’s documentary film 2004-2010 | |
| 2012 | DVD: Human Frames: Fanaticism, A Brief History of Memory, Lowave |
| By Loredana Paracciani, Curatorial Statement of the exhibition "Can You Hear Me?", "Breaking the Silence",The Pocket Arts Guide, Issue no.35, Singapore | |
| "Mysterious Object from Thailand", Experimental Conversations (Cork Film Centre's Online Journal), Issue 9: Summer 2012 | |
| Interview, "Young Asia", Modern Weekly magazine | |
| 2013 | "Can You Hear Me? ภาพสะท้อนการเมืองที่กำลังถูกลืม", FINE ART Magazine, Volume 10/No.100, Thailand |
| By Max Crosbie – Jones,"Six Video Artists Ask 'Can You Hear Me?' at Numthong Gallery", BLOUIN ARTINFO | |
| 2014 | Artist Interview, Media/Art Kitchen (=M/AK) |
| Re-mapping Asia Glocal Artists 40, Art in Culture magazine, Korea | |
| By Kaona Pongpipat and Kong Rithdee, “By lens, stage and paint, truth”, 10 December 2014, Life, Bangkok Post | |
| 2015 | By Kong Rithdee, “The (sur)real world”, 11 March 2015, Life, Bangkok Post |
| By Bruno Philip, “Créer face à la censure thaïe”, 3 October 2015, Le Monde | |
| 2016 | By Serenella Ciclitira, Thailand Eye: Contemporary Thailand Art |
| By Tanawat Likitkererat, PH.D., “Chulayarnnon Siriphol: A New Blood Video Artist”, April-May 2016, Central Premiere | |
| Interview, art4d magazine, 30 June 2016 | |
| By Malinee Khumsupa , “Decade of emerging Thai short films: Reflecting consciousness of encounter and transgression under undemocratic and military rule in Thailand”, July 19th-23rd, 2016, KLTC, University of Nottingham, Kuala Lumpur, Malaysia | |
| By Malinee Khumsupa & Sudarat Musikawong, “Counter-memory: Replaying Political Violence in Thai Digital Cinema”, Issue 20, Kyoto Review of Southeast Asia, September 2016 | |
| By Malinee Khumsupa , “Thai Short Films: The Rhetoric of Resistance”, Myanmar Up Close 2, 25 September 2016, Chiang Mai University art center, Chiang Mai, Thailand | |
| By Bonnie Sananvatananont & Monruedee Jansuttipan, “13 emerging Thai artists you should know”, 22 September 2016, BK Magazine | |
| 2017 | Book: Kirati’s Memorial, a part of solo exhibition Museum of Kirati, Bangkok CityCity Gallery, Bangkok, Thailand |
| 2018 | Book: Black Hole 010, onestar press, Paris, France |
| Interview, Coming soon, the immersive installation by Lara van Meeteren and Bart Wissink, a pavilion in Bangkok Biennial, Bangkok, Thailand | |
| By Max Crosbie-Jones, “The young Bangkok filmmakers winning global acclaim”, 22 November 2018, SilverKris magazine for Singapore Airlines | |
| 2019 | Book: MADE BY THAI, Francine Meoule |
| Cicada Channel Issue2 (online exhibition), 1-11 November 2019 | |
| Cicada Channel Issue3 (online exhibition), 12-21 November 2019 | |
| By Emma Ting, An Interview with Chulayarnnon Siriphol, director of Birth of Golden Snail, 30th Singapore International Film Festival, Singapore | |
| 2020 | Objectifs Film Library |
| By Matthew Hunt, Thai Cinema Uncensored | |
| Chulayarnnon Siriphol on Finding Ways to Express Opinions | |
| Championing unbiased media | |
| ขอเวลาอีกไม่นาน: สื่อและเวลาในสถานะผู้กระทำที่ถูกยืดยาวออกไปไม่รู้จบ | |
| ตามไปดู ‘Give Us a Little More Time’ นิทรรศการที่แปลคำว่า ‘อีกไม่นาน’ เป็นงานคอลลาจกว่าพันชิ้น | |
| GIVE US A LITTLE MORE TIME กระบวนการสำรวจสถานการณ์การเมืองไทยผ่านมิติแห่งกาลเวลา | |
| By Max Crosbie-Jones, Conflicted Visions: Thailand Galleries Reopen, 26 June 2020, ArtReview Asia | |
| ดูหนังควบประวัติศาสตร์การเมือง และมหากาพย์ชีวิตของ จุฬญาณนนท์ ศิริผล | |
| ทศวรรษบนศิลปะร่วมสมัยในความเคียดแค้นของ จุฬญาณนนท์ ศิริผล | |
| By Ruby HSIEH I-Hsuan, Red Scarf, Golden Snail, and Neon Pyramid: Parody as a Counter Discourse in Contemporary Thai Independent Films and Video Art, 23 December 2020, ARTouch | |
| 2021 | Unfamiliar Image Vol.3, Imagining Artificial Heaven from Social Spectacles |
| “What would you imagine for the future?” In conversation with Chulayarnnon Siriphol and Thanavi Chotpradit | |
| 2022 | By Panu Boonpipattanapong, Moving Image Art of Sarcasm, GQ Thailand, August 2022 |
| By Karoonp Chetpayark, ขอเวลาอีกไม่นาน คือนานแค่ไหน?, The Matter, September 2022 |
SHORT FILM / MOVING IMAGE WORK
FEATURE FILM
SOLO EXHIBITION
